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Realising that the octopus wouldn't let go, the host started to freak out and cry. She screamed in front of the camera 'painful' and 'I can't remove it' while using all her strength trying to pull the octopus off her left cheek.
Her face became nearly distorted in the process before the octopus finally gave in and let go. Once she removed the octopus, the host remembered her original goal as she shouted 'I'll eat it in the next video' while holding the creature in her hands.
Then she realised the octopus had sucked onto her face so hard it left a small bloody wound on her cheek. Known as 'seaside girl Little Seven', the video blogger has previously filmed herself playing with octopi at seaside left and gorging on a spice octopus right in order to gain followers.
The video blogger lives in the city of Lianyungang and loves eating seafood, according to information on her Kuaishou account.
She has eaten a variety of cooked seafood including crayfish and lobsters in her shows since she started her live-streaming channel about two weeks ago.
It appears that she is keen to become famous as she complained in a previous clip: 'Why none of my clips ended up on the trending topics chart?
Ironically, her latest octopus video - albeit unexpected - has become a trending topic on China's social media platforms.
She tried to eat the octopus and the octopus tried to eat her too. Another user 'Di Ke Tou' said in the same post: 'An eye for an eye, a tooth for a tooth.
The views expressed in the contents above are those of our users and do not necessarily reflect the views of MailOnline.
Argos AO. Share this article Share. It uses its long and strong arms to wrap around the other animals and its suckers to tightly attach to their flesh.
Read more: rosamondgiffordz Sina Visitor System. Share or comment on this article: Octopus sucks onto blogger's face and wouldn't let go as she tries to eat it alive e-mail 61k.
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The attacking wrestler stands over a face-down opponent, facing the same direction. The wrestler first hooks each of the opponent's legs underneath their own armpits as if performing a reverse Boston crab , then reaches down and underneath the opponent's chin with both hands, applying a chinlock, and finally leaning back to pull up the opponent's head and neck.
Another version of the move is similar to a wheelbarrow facebuster, but instead illegally pulls the hair of the opponent while leaning back to pull up the opponent's head and neck.
The wrestler will then sandwich the arm between their own leg and the side of the opponent's body. The wrestler then reaches forwards and applies a chinlock as in a standard camel clutch, leaning backwards to apply pressure to the upper back and arm.
Also known as a rear chinlock, the attacking wrestler crouches down behind a sitting opponent and places their knee into the opponent's upper back, then reaches forward and grasps the opponent's chin with both hands.
The attacker then either pulls straight back on the chin or wrenches it to the side. A maneuver similar to a neck wrench where the wrestler faces a bent-over opponent.
The wrestler then places their own spare arm under the other hand and over the opponent's back to lock in the hold, compressing the opponent's neck.
The attacking wrestler can then arch backwards, pulling the opponent's head downward. This move sees the attacker kneel behind a sitting opponent and wrap around one arm under the opponent's chin and lock their hands.
As with a sleeper hold, this move can also be performed from a standing position. Another variation of this hold, referred to as a bridging reverse chinlock, sees the attacking wrestler crouch before a face-down opponent and wrap around one arm under the opponent's chin and lock their hands before applying a bridge.
Also known as the " iron claw ", the claw involves the attacker gripping the top of the head of the opponent with one hand and squeezing the tips of their fingers into the opponent's skull, thereby applying five different points of pressure.
This can be transitioned into a clawhold STO or iron claw slam. There is also double-handed version sometimes known as a head vise.
The wrestler performing the hold approaches their opponent from behind and grips their head with both hands. While in the vise, the wrestler can control their opponent by squeezing the temples and bring them down to a seated position where more pressure can be exerted.
It was invented and used by Baron von Raschke , as well as many members of the Von Erich family , and Blackjack Mulligan. A maneuver which, when applied correctly against an individual, is purported to cause intense, legitimate pain.
The hold is applied when the aggressor places their middle and ring fingers into the opponent's mouth, sliding them under the tongue and jabbing into the soft tissue found at the bottom of the mouth.
Similar to a clawhold, the attacking wrestler applies a nerve lock onto the opponent's shoulder by using their hands and fingers to dig in and compress the top of the shoulder.
Usually performed with the attacking wrestler standing behind a seated opponent, it can also be executed on an opponent on their back, enabling a pinfall.
Other variations include squeezing either the side of the neck or the muscle in the front of the armpit, with the four fingers dug into the armpit and the thumb pressing into the front of the shoulder.
Just like the original clawhold, the attacker applies a painful nerve hold to the adversary's abdomen, forcing them to submit or pass out.
This neck crank sees the wrestler wrap both hands around the opponent's face and pull back, which applies pressure to the neck and shoulder area.
The move is performed in several ways, usually involving the wrestler trapping one of the opponent's arms. Chris Benoit 's Crippler Crossface was a variation that involved the arm trap; in the adjacent picture, he has pulled so far back that he finished the hold seated, which he did not always do.
Kenta 's LeBell Lock is performed from the omoplata position, which also puts pressure on the trapped arm. Kenta's positioning requires him to be seated; Benoit, as noted above, performed his variation from both positions.
That move was popularized by Kenta and Daniel Bryan. It is used by Taiji Ishimori on rare occasions. Another variation is performed in a bridging position where the wrestler wraps both hands around the opponent's neck and pulls back, which applies pressure to the neck and bridges on the opponent's back for added leverage.
The wrestler goes to a fallen opponent and places the opponent's nearest arm over the wrestler's nearest shoulder before applying the crossface, where the attacking wrestler locks their hands around the opponent's chin or lower face , then pulls back, stretching the opponent's neck and shoulder.
This is a scissored armbar combined with a crossface. The attacking wrestler traps one of the prone opponent's arms in their legs, wraps the opponents other arm under the attackers shoulder, and then applies the crossface.
Britt Baker, D. D uses this move with a mandible claw hold named the Lockjaw. Similar to a crossface, this move sees a wrestler standing above a face-down opponent.
The wrestler then crosses their opponent's arms, keeping them in place with the legs before applying the crossface.
Also known as "Neck Wrench", the wrestler faces their opponent, who is bent over. The attacking wrestler tucks their opponent's head underneath their armpit and wraps their arm around the neck so that the forearm is pressed against the throat.
The wrestler then grabs their own wrist with their free hand, crossing it underneath the opponent's armpit and chest to lock the hold in, compressing the opponent's neck.
The attacking wrestler can then arch backwards, pulling the opponent's head forward and thus applying extra pressure on the neck. The wrestler faces their opponent, who is bent over.
The attacking wrestler tucks the opponent's head underneath their armpit and wraps their arm around the head so that the forearm is pressed against the face.
From this point on the wrestler can either grab the opponent's wrist with the free hand and tucks their own head beneath the opponent's armpit and stand upright, locking in the hold, or simply throw the opponent's arm over their own shoulder and grab the opponent's thighs with the free hand.
Similar in execution and function to a front chancery, this lock is often used as a setup for a suplex. The wrestler stands behind their opponent and bends the opponent backwards.
The wrestler tucks the opponent's head face-up under their armpit and wraps their arm around the head, so that their forearm is pressed against the back of the opponent's neck.
The wrestler then pulls the opponent's head backwards and up, wrenching the opponent's neck. Naomichi Marufuji invented a single underhook variation, called Perfect Facelock.
Also commonly known as a dragon bite, this move sees the attacking wrestler behind a standing opponent, pulling them backwards into an inverted facelock and wrapping their legs around the opponent's body with a body scissors.
The attacker then arches backwards, putting pressure on the opponents neck and spine. This move is used on an opponent trapped within the ring ropes, which makes the move illegal under most match rules.
The wrestler applies an inverted facelock to a seated opponent, places their far leg between the opponent's legs, and pushes their near leg's knee against the opponent's back.
The wrestler then pulls the opponent's head backwards with their arms and the opponent's far leg outwards with their leg. Used by Taichi as Seteii Juhjiro.
In this hold, a wrestler who is facing away from an opponent wraps their arm around the neck of an opponent. This is also called a "reverse chancery".
Though this is an often used rest hold, it is also sometimes the beginning of a standard bulldog move. The wrestler stands in front of the opponent while both people are facing the same direction, with some space in between the two.
Then, the wrestler moves slightly to the left while still positioned in front of the opponent. The wrestler then uses the near hand to reach back and grab the opponent from behind the head, thus pulling the opponent's head above the wrestler's shoulder.
Sometimes the free arm is placed at the top of the opponent's head. The move is also referred to as a "European headlock", due to its prominence in European wrestling.
This hold is a staple of European style wrestling and technical wrestling influenced by European wrestling. An inverted version of the cravate is used by Chris Hero as part of his "Hangman's Clutch" submissions in which the hand positioning is the same as a normal cravate but the facelock is connected around the face of the opponent, not from behind the opponent's head, thus pulling the opponent's head backwards rather than forwards, putting significant pressure on the neck by stretching it backwards and in other directions toward which the neck would not normally bend.
Also referred to as a neckscissors, this hold sees a wrestler approach a supine opponent and sit next to them before turning onto their side towards the opponent and wrapping their legs around either side of the opponent's head, crossing the top leg after it has gone around the opponent's chin.
The wrestler then tightens their grip to choke an opponent by compressing their throat. The wrestler tucks a bent-over opponent's head in between their legs or thighs.
In professional wrestling this move is used to set up powerbombs or piledrivers. The nelson hold in professional wrestling usually takes the form of the full nelson, half nelson, or three-quarter nelson.
In all three variations, the wrestler slips either one or both arms underneath the opponent's armpits from behind and locks their hands behind their neck, pushing the opponent's head forward against their chest.
For a full neslon, the attacker slips both their arms under the opponent's armpits and locks their hands behind their opponent's neck.
The half and three-quarter nelsons are usually transition holds, as they are in amateur wrestling. For the half nelson the attacker slips one arm under the opponent's armpit and places it on the neck.
The three-quarter nelson is done by performing a half nelson using one hand and passing the other hand underneath the opponent from the same side.
The passing hand goes under the opponent's neck and around the far side to the top of the neck, where it is locked with the other hand around the neck.
The full nelson, which is illegal in amateur wrestling, is often used as a submission maneuver by certain wrestlers, such as Chris Masters , as shown in the accompanying picture.
Ken Patera performed a variation he called the Swinging Neckbreaker not to be confused with the neckbreaker variation , where he would lock the hold on and lift the opponent off the ground, then swing him in the air.
There is also an inverted version where instead of performing the move from behind the opponent, the wrestler stands in front of the opponent and uses the move in the same way as the normal full nelson.
Bobby Lashley uses a variation called Hurt Lock , where he locks the nelson in and drops his opponent into a body scissors. A variant of a nelson hold in which the wrestler applying the hold forces the opponent prone on the mat and drives their knees into the opponent's upper back.
The wrestler most wide recognized as popularizing this hold is Stu Hart. This hold is performed on an opponent who is lying face down on the mat.
The wrestler grabs one of the opponent's legs and places the opponent's ankle between their thighs. The wrestler then lies on top of the opponent's back and locks their arms around the opponent's head.
The wrestler then pulls back, stretching the opponent's back, neck, and knee. Samoa Joe , Jazz and Nikki Bella have also used this move.
Starting in the same position as a regular STF, the attacker takes both the opponent's legs, bends them at the knees, and crosses them, placing one ankle in the other leg's knee-pit.
The wrestler then grabs the free ankle and places that ankle between their thighs. They then lie on top of the opponent's back and lock their arms around the opponent's face.
The wrestler then pulls back, stretching the opponent's back, neck, and knees. Kazuchika Okada uses this move as the Red Ink.
The inverted Indian deathlock facelock, or a "Muta lock". The wrestler first takes the opponent's legs then, bends them at the knees, and crosses them, placing one ankle in the other leg's knee-pit before then turning around so that they are facing away from the opponent and places one of their feet into the triangle created by the opponent's crossed legs.
The wrestler then places the opponent's free ankle under their knee-pit and bridges backwards to reach over their head and locks their arms around the opponent's head.
Invented by The Great Muta ,   this move has been adapted and performed by various wrestlers such as Melina Perez California Dream and Tenille Dashwood Emma Lock as finishing moves, signature moves, and setups to finishers.
Short for "stepover toehold sleeper", this hold is a modified version of an STF in which the wrestler wraps their arm around the neck of the opponent in a sleeper hold instead of pulling back on the head of the opponent.
Invented by Masahiro Chono. Also known as a keylock. This armlock sees the wrestler grappling the opponent's wrist with the similar hand for example, if they uses the right arm, they would grab the opponent's right wrist , and with the opponent's wrist still clutched, the wrestler bends the opponent's arm of the grappled wrist towards or behind the opponent's head.
Then, the wrestler passes their other free arm through the "hole" formed by the opponent's bent arm under the biceps, and then catches the opponent's grappled wrist.
This would result in the opponent's arm being shaped into a 4. As the opponent's wrist is grabbed by both opponent's hands, along with the bent arm, this applies effective pressure into the opponent.
The maneuver can be executed on a standing or a downed facing upwards opponent. This move has been used by many wrestlers for many years.
The wrestler approaches an opponent lying against any set of ropes and grabs one of the opponent's wrists with their similar arm.
The wrestler then pins the arm with the grappled wrist against the second or top rope to the outside of the ring, passes their other arm from under the opponent's biceps, and grapples the opponent's wrist.
The whole maneuver would force the opponent's arm to be bent in the number "4" shape, applying more pressure as the arm is trapped between the second or top rope.
The rope-hung figure-four armlock can be also grappled through the bottom rope, if the opponent is lying against it. Also known as a spinning armlock.
The standing attacking wrestler grabs the wrist of a face down opponent, pulling it towards themselves, then steps over the opponent's outstretched arm, placing one leg to either side.
From this point, the wrestler turns degrees, simultaneously bending the arm of the opponent around the attacker's own leg. The wrestler can over-rotate or turn again to apply more pressure on the arm.
The stepover armlock is similar in execution to the spinning toe hold , except that the wrist is held instead of the foot.
The wrestler takes hold of the opponent's arm and twists it, putting pressure on the shoulder and elbow. This may sometimes be preceded by an arm wrench.
Chris Jericho popularized this move. Also known as a cross armbreaker or straight armbar. The wrestler sits on either side of an opponent who is lying either prone or supine on the mat, with the wrestler's legs scissoring one of the opponent's arms.
The wrestler then grabs hold of the wrist of that arm and pulls it upwards, causing hyper extension of the shoulder and elbow.
Wrestlers Alberto Del Rio often the flying variant, see below and Ronda Rousey perform this move a finisher. Bryan Danielson popularized and invented a variation, dubbed the Danielson Special , where he would flip his opponent with a double underhook suplex before locking in the cross armbar.
This variation begins with the wrestler standing on either side of the bent-over opponent. The wrestler then steps over one of the opponent's arms while holding that arm's wrist, and then rolls or twists their body in mid-air while holding the wrist, forcing the opponent down to their back and ending in a cross armbar.
This variant has been used by Alberto Del Rio , A. Styles and Asuka. The wrestler, situated perpendicular to and behind the opponent, holds the opponent's arm with both arms, pulling the arm across their chest.
The wrestler then holds the other arm with their legs, stretching the shoulders back in a crucifying position and hyperextending the arm. Invented by Yoshiaki Fujiwara , it is also known as a short "armbar".
The opponent's arm is then hooked and pulled back into their body, stretching the forearms, biceps, and pectoral muscles.
Variations of this can include clasping the opponent's hand instead of hooking the upper arm, for extra leverage and bridging out, while performing the move to increase leverage and immobilize the opponent.
A kneeling variation also exists. Becky Lynch uses it as the Dis-arm-her , where the attacking wrestler takes a face-down opponent's arm in a kneeling position, adding pressure by pulling back on the arm.
A reverse version also exists, with the opponent lying on their back, the wrestler lies on the mat, putting some or all of their weight on the opponent to prevent them from moving.
Timothy Thatcher uses it as his submission finisher. The wrestler grabs the wrist of the opponent so that the arm is held bent against their back, and their hand is forced upwards towards the neck, thereby applying pressure to the shoulder joint.
It is used by many wrestlers in the beginning of the match. It was used by Ed Lewis and Bruno Sammartino. The wrestler wraps their legs around the opponent's head in a headscissors , facing towards the opponent, then grabs one of the opponent's arms and wrenches it backwards, causing pressure on the shoulder and elbow of the opponent.
This can often be performed on a standing wrestler when preceded by a tilt-a-whirl , which was popularized by Gail Kim , who dubbed it the Flying Dragon.
Known in Mexico as " La Cerrajera " Spanish for "The Locksmith" , sees the wrestler approaching a prone opponent from the side.
The wrestler then "scissors" clasps the near arm of the opponent with one or both legs from a standing position and takes hold of the far arm of the opponent with both hands, forcing the opponent onto their side and placing stress on both shoulder joints, as well as making it harder for the opponent to breathe.
It can cause serious injury to the opponent if held for long. Often confused for an octopus hold. The opponent is on their back with the attacker sitting beside them and grabbing the nearest arm.
The attacker bends the opponent's arm and reaches through with one of their own. The attacker places one of their legs across the wrist of the opponent and grabs their own ankle to lock the hold.
The attacker pulls up with their arm while forcing the victim's wrist down with their leg, and applies pressure to the victim's elbow.
Known in combat sport as the " bicep slicer ". The opponent begins supine, lying with their back on the bottom or second rope and facing into the ring.
The wrestler runs towards the opponent and jumps through the second and top rope while holding on to the ropes, then swings around and grapevines the opponent's arms, applying a crucifix armbar.
From behind a seated opponent, the wrestler grabs one of the opponent's elbows and pulls it up and backward. The wrestler then bends the wrist and forces the open palm of the opponent's hand into their chest, putting pressure on the wrist.
The maneuver's invention is credited to Barry Darsow , who was the person who gave it its name. The wrestler grabs their opponent's arm, pulling it around behind the opponent's back.
This stretches the pectorals and shoulder joint, and immobilizes the arm. This is a legitimate controlling or debilitating hold, and is commonly used by police officers in the United States to subdue uncooperative persons for arrest.
Also known as a bridging wrist lock. The wrestler approaches a prone opponent, lying down on their stomach. The wrestler grabs either of the opponent's arms and pulls it to their back resulting the arm being bent behind the opponent's back.
The wrestler then rolls or flips forward into a bridge, applying pressure on the wrist and elbow. In this variation, the wrestler first performs the chickenwing to one of the opponent's arms, then takes their other arm, wraps it around the opponent's neck, and then either pulls the opponent's head to the side, which puts pressure on the neck and shoulders, or leaves the arm tucked under the chin as in a one-armed sleeper hold.
Depending on the wrestler's preference, they may clasp their hands together to secure the hold, as Triple H shows in the adjacent picture.
In many cases, the wrestler will drop to the mat and lock the opponent in a bodyscissor lock to make escape even more difficult. The crossface chickenwing is mostly identified with Bob Backlund , who used the hold as a finishing maneuver following his comeback to the WWF in the mids and won his second world championship using the hold.
Backlund's version of the hold incorporates the bodyscissors portion. Daniel Bryan used the move as Bryan Danielson. Marty Scurll uses it as finishing move.
This hold sees the wrestler standing behind the opponent facing the same direction, and then hooking both the opponent's arms under their armpits.
The move is known for being used for the tiger suplex. Also referred to as a "bridging grounded double chickenwing" or a "cattle mutilation".
The wrestler stands over a prone opponent's back and tucks the opponent's arms under their armpits. From this point, the wrestler then rolls or flips into a bridge, pulling the opponent's arms and applying pressure on them.
This move was invented by Atsuo Sawada and was made famous by Bryan Danielson before he went on to greater fame as Daniel Bryan.
Asuka also uses this as a submission finisher. This variation of the double chickenwing sees the wrestler wrenching the opponent up while still holding them in the double chickenwing.
The hold is usually transitioned into a chickenwing facebuster. The Elevated double chickenwing facebuster was famously used by Ricky Steamboat in his best 2 out of 3 falls match with Ric Flair.
Its facebuster version was later made popular by Beth Phoenix , calling the move the Glam Slam. This technique is also known as a single chickenwing hammerlock or a double wrist lock.